metaphysical$48343$ - definizione. Che cos'è metaphysical$48343$
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Cosa (chi) è metaphysical$48343$ - definizione

GROUP OF 17TH-CENTURY ENGLISH POETS WHOSE WORK WAS CHARACTERISED BY THE INVENTIVE USE OF CONCEITS AND AN EMPHASIS ON THE SPOKEN RATHER THAN LYRICAL QUALITY OF THEIR VERSE
Metaphysical poetry; Metaphysical Poetry; Metaphysical poet; Metaphysical Poets; Metaphysical poem; Metaphysical school
  • The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry
  • "Europe supported by Africa and America", William Blake, 1796
  • The title page of Henry Vaughan's ''Silex Scintillans'', 1650

Metaphysical poets         
The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse. These poets were not formally affiliated and few were highly regarded until 20th century attention established their importance.
The Metaphysical Club         
Metaphysical Club
The Metaphysical Club was a name attributed by the philosopher Charles Sanders Peirce, in an unpublished paper over thirty years after its foundation, to a conversational philosophical club that Peirce, the future Supreme Court Justice Oliver Wendell Holmes Jr., the philosopher and psychologist William James, amongst others, formed in January 1872 in Cambridge, Massachusetts, and dissolved in December 1872.
Meinong's jungle         
REPOSITORY OF NON-EXISTENT ENTITIES IN MEINONG'S ONTOLOGY
Metaphysical extravagance
Meinong's jungle is the name given by Richard Routley (1980) to the repository of non-existent objects in the ontology of Alexius Meinong.

Wikipedia

Metaphysical poets

The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse. These poets were not formally affiliated and few were highly regarded until 20th century attention established their importance.

Given the lack of coherence as a movement, and the diversity of style among poets, it has been suggested that calling them Baroque poets after their era might be more useful. Once the Metaphysical style was established, however, it was occasionally adopted by other and especially younger poets to fit appropriate circumstances.